Arts Assignment Paper on Time and Motion in Jackson Pollock’s Works of Art

Time and Motion in Jackson Pollock’s Works of Art

Time and motion have been assimilated into the world of art to craft artifices to the observers. Motion through standard properties that can be done using air current or the artists move it themselves. The unique features of the art cause the variations giving an illusion of motion. Intended motion, on the other hand, can be brought forward through the use of inclining, gestural and directional lines. The close connection between time and movement in art is that action takes place over time and distance. Dancing in semi-ecstasy over canvases without brushes uses sticks and paint which spread across the floor. In fine arts, time and movement are illusions included in paintings to indicate that an object is going through actual change. A change is realized where time passes, and there is time passage where is movement (Lake 56-60).

Most of the time, motion and time shown in paintings appear endless in a mechanical, seamless and robotic flowing manner. The unique drip style that had a profound effect on arts movement took years to learn how to paint through theosophical ideas which helped in surrealism and psychoanalysis (Galenson 17). The paint trickled onto the horizontally pinned canvas. Drip paintings used a lot of gestural lines to create continuous symbolic flow through time. A paint brush is carefully and subconsciously flicked across the canvas resulting in movements that are continuously conscious. In this job, the sense of time is cyclical as a result of the process, which is repetitive, of the lines that make many outcomes.  Painting does not come from the easel. An artist never stretched their canvas before painting; a tent was tucked to the hard wall or the floor, and unknowingly, not being aware of their movement, paint is sprinkled over the shelter. It is only after some time and motions that one can be able to realize that something magnificent has been created out of mere moves (Baggs 71-72).

The close link connecting time and motion in art is that movement takes place over time and distance, and this is the driving factor that makes one wait to see the outcomes. Motion through natural properties can be made using air current, or the artists move it themselves. The unique features of the art are what cause the changes giving a delusion of motion. Intended motion, on the other hand, can be brought forth through the use of inclining lines, gestural lines, and directional lines. Replication also plays a vital role in creating the movement. Conversely, time is closely linked with aesthetic and historical implications, while the concept of physical activity is absent (Baggs 72-75). Applying the paint directly onto an empty canvas following immediate thoughts and emotions, whereby the combined conservative movement with exact color and line gives one time to be able to come up with unique arts which create a significant impact to the people over time (Lake 56-60).

Some of the immaterial things that surround a person can lead to the creation of some of the fantastic arts through dripping paints. Many artists have since been emulating these techniques through the drip paintings. The concept of motion through utilization of colors and the abstract creates the feeling of how the woman in the Indian culture is. This personal vision encountered and the concept of motion and time were used to explain the feminine side of the Indian woman is perceived as the two-dimensional art. The art helped create a way for other abstract expressionist painters through drip paintings in the late years of 1947. It is through this art painting that other artists use time and motion in two-dimensional pieces of art to be creative and imaginative.

 

 

Work Cited

Baggs, Bob. “The world’s most influential artists … and the artists they inspired by David

Gariff.” The art book, vol. 16, no. 2, 2009, pp. 71-72.

Galenson, David. “Was Jackson Pollock the Greatest Modern American Painter? A Quantitative

Investigation.” 2002.

Lake, Susan. “The Challenge of Preserving Modern Art: A Technical Investigation of Paints

Used in Selected Works by Willem de Kooning and Jackson Pollock.” MRS Bulletin,

vol. 26, no. 01, 2001, pp. 56-60. Codell, Julie.