Sample Book Review on Utopian and Dystopian Visions
By watching the films The Truman Show and Brazil, the audience is able to analyze the future state of the community. They are able to relate the life awaiting a society in future and the life experienced in the film. The film characters reflect how individuals in the society would live in future.
Similarities in Utopian and Dystopian Visions in the Films
The two films portray a beautiful view of life in the beginning. This gives a dystopian apparition of delight. How Brazil manages such matters as ecstasy and franticness right from the start of “Cognizance” is a question that cannot be satisfactorily settled by narrating the story.
Sam Lowry, a character in the film, is representing an ample rigid governmental organization at a documentation branch (Childress 103). He has a double perception of the world such that he could be caught at the center of matters in a disheartening cosmos of in print material or rid himself of his melancholic person and ultimately become a saint; something he had intricate wanted to be. Lowry’s life and thoughts got along as his imaginations came to be, yet his life broke apart.
Richard Corliss portrays The Truman Show in Time from the first examination of “Understanding”. Truman Burbank occupies a town of beaming folks and good-looking horses, which is indeed a prodigious realm. From a favorable weather, impeccable boulevards, logical undertakings to restful nightfall on Seahaven Island. He is regularly employed as a defense corporate person. Back home he has a jewel of a spouse, a graceful dimpled lady by the name Meryl, who is probably out on a spree with her closest friend, Marlon (Childress 103). This man has it all and should have himself a wonderful evening and night with no worries at all.
The Truman Show and Brazil solitarily specify that no one runs the world. This horrible universe is slowly moving to take over the waves and the territory would ultimately become overwhelmed and railed by paper-pushing making it an elusive mirage.
A low-level government representative, Jonathan Pryce has fortunate grounds. In an effort to escape an administrative slip, Pryce dents the boundless incongruities of the contemporary realm that result in the nuisance of a blameless man. He tries to revert the mistake and at the same time attend to his mother who is dependent on plastic surgery. Katherine Helmond (Jonathan’s mother) desires, and expresses her desire of a more positive son (Childress 105). The character of Pryce becomes entirely an imagination as it stirs a rebellious longing in him. When the young lady she had always wanted him to marry possibly encountered him, Jonathan turned submissive instead of being manipulative. Michael Palin, Robert De Niro and Sway Hoskins have minor parts commendable of stipulating in this demijohn oeuvre.
Christof similarly makes Seahaven Island in his visualization of a superlative realm in The Truman Show. A general public or group character Thomas has exclusively admirable qualities. The superlative world is an island with only one exit. However, More’s idea of the superlative realm is just good-looking if everyone who lives there has the same perspective of impeccability as his. On the contrary, Christoff has a distinct vision that portrays Seahaven as an exemplary place yet Truman is unwilling to reconsider his choice.
Differences in Utopian and Dystopian Visions in the Films
The Truman Show and Brazil film defer in glance refiguration. One look at the Brazil film gives a clear message of what it addresses unlike the Truman Show.SSSSIn the Brazil film, allocation of Gilliam’s Brazil is triggered by Ricoeur has thought which is sensible. The clarity of Gilliam is revealed when he states that laying hands on things was out of switch. It seems imaginative. He also adds that putting together Brazil resembled a lie (Childress 107). Individuals ignore the brighter matters that require exposure and dwell on those already exposed.
In the Truman Show, Kafka says that they should live like the chief controllers so as not to be slaves. This has probably happened to the overall inhabitants of Brazil but no to the Kafka’s structure and optimistically occurs in Truman. The intended Truman character is an unmodified individual comprehended by impeccably social performers.
Robinson Crusoe is nonetheless an untouched human being comprehended by conceptual persons who are non-living creatures (Rueda 112). Numerous loose ends and pseudo transcendent allusions that are existent bar the viewer from getting a clear comprehension of this part of the film.
A fake capital world that is driven by profits exists in the Truman Show in that the norm is substituted with a utopian vision of the middle class in America. On the other hand, the Brazil film portrays a utopian view of the privileged class of people living in the world of fantasy, striving to maintain a false life in order to hide the truth.
Childress, Marcus D. “Utopian and Dystopian Futures for Learning Technologies.” Learning and Knowledge Analytics in Open Education. Springer International Publishing, 2017. 99-107.
Rueda, Carolina. “Aesthetics of Dystopia: Blindness from Novel to Film.” World Literature Today 89.3-4 (2015): 12-15.